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Sunday, September 15, 2013

Classic G.I. Joe Vol. 11





Title:
Classic G.I. Joe Vol. 11





ISBN:
9781600108754


Price:
$24.99


Publisher/Year:
IDW, 2011


Artist: M.D. Bright, Lee Weeks, John Stateman, Ron
Garney


Writer:
Larry Hama


Collects:
G.I. Joe: A Real American Hero #101-110





Rating:
2.5/5





G.I.
Joe isn't very realistic at this point in the title, with the far flung fantasy
elements (science fiction, ninjas) getting as much attention as the military
elements of the series. I was admittedly a sucker for this back when I played
with the toys and read the comic books. I was no longer buying comic books when
these issues were originally published, so these were all new to me. There is a
sense of fun amidst all of these goings on. There is also a sense of reality,
as seven Joes meet their maker in issues 109-110. And no, I'm not referring to
Hasbro.





Larry
Hama's writing is a precursor to modern comic book storytelling. Unlike his
contemporaries, Hama did not use third party narrative captions to set scenes.
He would list a location or a time and then cut to the dialogue. This is pretty
much standard operating procedure at Marvel over the last decade, but Hama
might very well be the first to have done it. I'm not a comics historian so I
can't say for certain. The artwork is done by a rotating crew, and is solid
throughout the book. Clear, concise, competently done artwork. Mark D. Bright
does the bulk of the book (101-106 and 108), and I enjoyed his run on Iron Man.





This
was a fun escapist read. I'll admit that G.I. Joe is pure nostalgia for me, as
I played with the toys, watched the cartoon series, and read the comic books in
the '80s.





There
is a marked improvement in the overall restoration in this book over previous volumes.
While there are a few IDW-created typos found in the word balloons, greater
care seems to have been taken this time around than with the previous volumes.
There doesn't seem to be much in the way of pixelated lines. The strangest
thing is the uneven lines on the top of the panels on some of the pages. My
best guess is that these were scanned from floppies that were stored in
extremely humid conditions and had the rippled warping that accompanies said
humidity.

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